I’m a fashion designer and maker with a strong focus on sustainability, combining traditional craftsmanship with digital innovation to create garments that are built to last. My practice blends Clo3D development with patchwork techniques and upcycling, using what’s already out there to reduce waste and reframe the value of what we wear. My graduate capsule collection, UnDamaged, is a reflection of this ethos — a series made from preloved denim and deadstock fabrics, designed with function, comfort, and individuality in mind. Rooted in streetwear and shaped by timeless design, the silhouettes are slightly oversized and intentionally bold, without sacrificing wearability. Each piece is modular and adaptable, offering multiple ways to wear and style it while supporting different body types and reducing the need for mass production. While the full collection was made in black and grey denim, every garment can be reimagined in new colourways or fabric combinations depending on what’s available — embracing constraints as a catalyst for new ideas. Coming from a background rooted in making and resourcefulness, I’ve always seen potential in what others overlook — creativity, for me, often means working with what you’ve got and making it matter. Fashion isn’t just about aesthetics; it’s about responsibility, adaptability, and creating something meaningful out of what already exists.