My work sits at the intersection of fashion, memory, and healing. Rooted in the emotional language of textiles, I explore the psychological and neurological effects of trauma, particularly in women, and how these experiences can be transformed into artistic expression. Inspired by the concept of intergenerational trauma, my graduate collection reflects on the invisible threads that connect women across time, those who came before us, and those still to come. Working with deadstock, second-hand fabrics, and repurposed waste materials, I see clothing not only as something we wear but as something that holds us, carrying memory, protection, and identity. Each piece becomes a tactile archive, shaped by research into my family history, the stories of women partisans during WWII, and trauma studies. My practice challenges the boundaries between garment and artefact, art and therapy, fashion and psychology. I aim to create spaces of empathy through design, spaces where pain can be seen, shared, and slowly mended.