This collection is rooted in circular forms of creation, memory and decay. It draws from fading imagery of old Hong Kong under fluorescent light, where flashes of neon hues and 60s greens and reds appear as accents like signs flickering against concrete walls. Dreamy seaside scenes washed in green and orange, captured on film, are reimagined through translucent prints layered against dense, industrial fabrics. The cutting draws from late 20th-century workwear and relaxed tailoring, where utilitarian garments contrast the rigid Salaryman suit. Aprons and "Good Morning" towels, rendered in the iconic red, white, and blue palette, serve as a salute to the wet market workers who use them, while reflecting personal childhood memories of learning to cook in the family kitchen. The project explores beauty within decay and the hazy allure of fragmented home memories. It is designed to feel dreamlike, questioning whether I am simply dreaming again.