In a world where war crimes and social injustices are constantly televised through technologies and social media, we are often left feeling helpless and desensitised. My collection ‘Dance Like They’re watching’ focuses on digital surveillance, party culture and escapism. I use the concept of surveillance to render visible the ways in which technology and oppression intersect. To counter this, my collection explores how dancing, partying and festival culture are forms of resistance; providing liminal spaces where we can escape from the overwhelming feelings of despair - whilst also building powerful collective groups. Spaces to nurture humanity and empathy. Spaces to dance! My visual inspiration came from photographs of myself and my family and friends at festivals throughout my life. They capture my childhood summers spent in fancy dress parades at Shambala festival and my friends at Glastonbury wearing the unspoken uniform of festival goers – repurposed prom dresses with an adidas jacket on the top. I contrast this with harsh greys and textiles referencing surveillance and CCTV screens, and elements of police uniforms to symbolise social control. My collection has developed into a celebration of colour, exaggerated silhouettes, and materials that dance alongside you. I hope my collection evokes joy and encourages people to dance together in the face of oppression.