Leah Churchill works between knitwear and woven cloth, her practice surrounds memory – remembering and reconstructing – influenced by her great-Grandfather’s connection to cloth as a tailor in London’s East End. Based in Glasgow, her practice is rooted in the cloth and knitwear industries integral to Scotland’s past and present. Leaning into the soft structures that can be found where knitwear and tailoring overlap, woven pattern cutting and construction principles drive her approach to knitting fully-fashioned garments. Her collection, the walls they look, you see, takes the sun-faded, peeling walls of her grandpa’s house as its point of departure, allowing research to unfold through close observation and making. A wall becomes a skin, bearing the wrinkles of time: traces of sunlight immortalised on wallpaper, faithful paths worn into carpet, corners peeling and surfaces discoloured. Through the house, familial histories are held and passed on, connecting generations and those never met. Garments become spaces of archiving, holding memories of the body’s movement and the quiet corners of a house soon to be lost. Here, interior and exterior worlds coalesce. Through wool, velvet, and linen, cloth becomes a place of recording and remembering - an attempt to hold on to wornness as a means of keeping loved ones close.