Form is not drawn — it is constructed. Silhouette is not assumed — it emerges. This project begins with the circle, not as surface decoration, but as a structural starting point. Through folding, layering, repetition, and physical manipulation, flat geometry is transformed into three-dimensional form. Volume develops through accumulation, allowing depth and proportion to evolve through process rather than pre-defined shape. Making becomes a method of thinking. Material behaviour, construction, and spatial exploration guide each decision, balancing precision with fluidity. Geometry remains present within the garment, shaping structure and movement while resisting excess. The outcome is not fixed. Each garment records its own making — where restraint sup